Albinoni |
Bach |
Biber |
Blow |
Buxtehude |
Caccini
Carissimi | Chambonnières | Charpentier | Corelli | Couperin | Frescobaldi
Froberger | Geminiani | Gluck | Händel | Lully | Metastasio
Monteverdi | Pachelbel | Pepusch | Pergolesi | Peri | Purcell
Rameau | Sammartini | Scarlatti | Scheidt | Schein | Schütz
Stradella | Tartini | Telemann | Torelli | Vivaldi | Zachau
Carissimi | Chambonnières | Charpentier | Corelli | Couperin | Frescobaldi
Froberger | Geminiani | Gluck | Händel | Lully | Metastasio
Monteverdi | Pachelbel | Pepusch | Pergolesi | Peri | Purcell
Rameau | Sammartini | Scarlatti | Scheidt | Schein | Schütz
Stradella | Tartini | Telemann | Torelli | Vivaldi | Zachau
Johann Pachelbel
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- (b Nuremburg 1653, d Nuremburg 1706)
German organist and composer. Deputy organist, St. Stephen's Cathedral, Vienna, 1673-1676. Court organist Eisenach 1677. Organist, Protestant Predigerkirche, Erfurt, 1678-1690. Court organist, Stuttgart, 1690-1692. Organist, St. Sebald, Nuremburg, 1695-1706. His compositions influenced Bach. Works include Hexachordrum Apollinis (1699), 6 sets of airs and variations for harpsichord; 78 chorale preludes (1693), including Ein' feste Burg, Nun komm der Heiden Heiland, Vom Himmel hoch, etc.; Aria Sebaldina, variations in F minor for harpsichord; Canon and Gigue in D for 3 violins and continuo; Chaconne and 13 variations for harpsichord. His church music, for long disregarded, has been highly revalued, particularly his sacred concertos and his 13 settings of the Magnificat.